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Archive for the ‘Lombardi- Francisco J.’ Category

Gabriela is about to marry Guido, a well known judge who is assassinated in suspicious circumstances. The case is sensationalised by the press. In order to find out what happenned and also to clear the name of her boyfriend, Gabriela starts her own investigation.

She will meet Angela, a young and ambitious journalist and Osman, the director of an influential newspaper and loyal to the Fujimori regime. He is responsible for covering up a state sanctioned crime- passing off the death of the judge as a homosexual crime of passion.

In order to reveal the truth she has to enter the murky underworld that surrounds Vladimaro Montesinos. Her mission – to kill him.

Gabriela está a punto de casarse con Guido, un conocido juez de instrucción, que es asesinado en extrañas circunstancias. El caso es tratado de forma sensacionalista por la prensa. Para averiguar lo ocurrido y así limpiar la imagen de su novio, Gabriela inicia una investigación.

Se cruzará con Ángela una joven y ambiciosa periodista y con Osman el director de un influyente periódico, fiel al régimen de Fujimori y responsable del encubrimiento de un crimen de estado haciendo pasar la muerte del juez por un crimen pasional en un entorno gay.

Gabriela para demostrar la verdad se adentra en los bajos fondos del círculo que rodea a Vladimiro Montesinos. Su objetivo es matarle.

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Upon graduating from college, Alfonso Fernandez emarks on an ambitious campaing in order to obtain a job as a reporter for El Clamor. Alfonso yearns to be a writer and is convinced that this training will only help enrich his curriculum vitae.

From the get go, Alfonso is faced with many difficult obstacles that the must overcome in order to fulfill his dream of one day becoming a writer. Despite his aspirations to be an entertainment reporter, Alfonso is assigned to the daily crime column.

It is in this department where he encounters his first obstacle: an old-school car by the name of Saul Faundez. With a deepar and more maningful understanding of life, Alfonso witnesses a paracle of mixed feelings and passions. Alfonso realizes that Faundez is man whose feeling and passions complement the tainted world in which he has chosen to live in.

Alfonso Fernández, joven universitario limeño, apenas terminadas sus estudios de periodismo se presenta al sensacionalista diario “El Clamor” para solicitar trabajo como practicante. El, en el fondo, quiere ser escritor y está convencido de que éstas prácticas servirán solamente para engrosar su curriculum.

Desde un inicio encuentra obstáculos. En vez de asignarlo a la sección de espectáculos (lo más cercano a sus pretensiones intelectuales), lo envían a policiales. Allí debe enfrentarse al tosco jefe de la sección, Saúl Faúndez, un vejo zorro de la vieja escuela.

Como una revelación, Alfonso presenciará el desfile de encontrados sentimientos e indefinibles pasiones. Faúndez resulta así ser un hombre interesante, para quien esos sentimientos y pasiones encajan en el difícil mundo que ha escogido vivir.

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Pantaleon Pantonja a captain of the peruen army he is an unbridged man responsible exellent professional and a good husband.

His latest mision is to organise a brothel to be set up in the amazon were the soldiers are stationed to suplly their sexual need and keep them happy.

Pantaleón Pantoja, capitán del ejercito peruano, es un hombre integro, responsable, excelente profesional y mejor esposo.

La nueva misión de Pantaleón es organizar un servicio ambulante de prostitutas para aplacar las necesidades sexuales de los soldados que se encuentran en los asentamientos militares de la Amazonia.

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Don’t Tell Anyone is the groundbreaking story of a Peruvian man’s search for his sexual identity in an intolerant country. All his life, Joaquin (Latin TV star Santiago Magill) has known that he prefers men.

But he dared not tell anyone, not his father, a racist and unobliging male chauvinist patriarch who tries to beat the secrets of masculinity into him, nor his mother, whose pious Catholicism deepens his sense of guilt.

But soon Joaquin begins a passionate and tangled affair with Gonzalo that puts him face to face with his own true sexuality, as well as with the extraordinary and complicated forces in Peru that work to keep him locked in the closet.

Based on the controversial best-selling novel by Peruvian talk show host Jamie Bayly, Don’t tell anyone, is a powerful and unique portrait of the dichotomous world that exisits in much of Latin America.

Un joven acomodado de la alta sociedad peruana decide huir del entorno social y familiar en el que vive para intentar encontrar su identidad sexual, marcada desde su juventud por el abuso de las drogas y el alcohol. Basada en la novela del peruano Jaime Baily.

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Percy, an unusual poice officer, timid, insecure and contrary to violence, is in chsrge of the police position of Palle, a small locality in the north of Peru, where in the past the culture of the “Moches” developed, the most sangrient and fascinating of the era.

He has to investigate a series of crimes which have happened in Palle, continuing the tradition of the “Moches”, murdered teenagers with empty basins of the eyes. He will make contact with a spanish pathologist and a teacher who knows about the culture of the Moche.

The relationship between himself and the pathologist becomes one of intense passion, impossible to control, but his contact with the assasin will demonstrate the atavistic dark side we all take inside.

Percy, un policía atípcio, tímido, inseguro y contrario a la violencia, es el encargado del puesto policial de Palle, pequeña localidad al norte de Perú, donde en el pasado se desarrolló la cultura de los Moches, el pueblo más sangriento y fascinante de la época preincaica.

Él será el encargado de investigar una serie de crímenes que se suceden en Palle siguiendo la tradición de los Moche: jóvenes degollados, con las cuencas de los ojos vacías. Para ello contactará con una patóloga española y con un profesor conocedor de la cultura Moche.

La relación, cada vez más estrecha, entre Percy y la patóloga, desatará en éste una pasión amorosa imposible de controlar, su contacto con el asesino le mostrará el atávico lado oscuro que todos llevamos dentro.

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Lima (Peru). Decade of the 80s. Two elderly exterratenientes whose wealth was affected by the political reforms of the 70s, dedicate their efforts to regain its former glory.

Simultaneously, one of its tenants live an intense and unpredictable love affair and two children are gradually immersed in the universe of violence that her grandmother is inadvertently weaving around them.

The three stories are moving in parallel, forming a lattice where the humor, tragedy and social point form a loving gaze, through three generations, about the recent history of Peru.

Lima (Perú). Década de los 80. Dos ancianos exterratenientes cuya riqueza fue afectada por las reformas políticas de los años 70, dedican sus esfuerzos a recuperar su antiguo esplendor.

Simultáneamente, uno de sus inquilinos vive una intensa e imprevisible aventura amorosa y dos niños se ven progresivamente inmersos en el universo de violencia que su abuela va involuntariamente tejiendo a su alrededor.

Las tres historias avanzan paralelamente, formando un entramado donde el humor, la tragedia social y el apunte amoroso conforman una mirada, a través de tres generaciones, sobre la reciente historia de Perú.

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The Peruvian Police have control of Chuspi, a small village in the “emergency zone”, destroyed for the subversive movements of the “Sendero Lumioso.”Without the strategy or the appropriate controls, Vitin Luna and his friends have to face the invisible excercise which is superior to their forces.

Everything changes with the arrival of the official, Ivan Roca, strict with his discipline and nearly brutal with his punishments, who presents himself capable of fighting against the subversion, up to annihilating her.

La “boca del lobo”offers a vision over the antisubversive struggle and his excesses. It´sa study of what the man is capable of doing when he feels isolated in aviolent climate, whipped for solitude and death.

Las fuerzas del orden peruanas toman el control de Chuspi, un pequeño pueblo de la “zona de emergencia”, asolado por el movimiento subversivo Sendero Luminoso. Sin la estrategia ni el madno apropiados, Vitín Luna (Toño Vega) y sus compañeros deben enfrentarse a un ejércit invisible que parece superior a sus fuerzas.

Todo cambia con la llegada del oficial Iván Roca (Gustavo Bueno), estricto en la disciplina y casi brutal en el castigo, que se presenta como un hombre capaz de combatir la subversión hasta aniquilarla.

La boca del lobo ofrece una visión sobre la lucha antisubversiva y sus excesos; es un estudio de lo que el hombre es capaz de hacer cuando se siente aislado en un clima de violencia, hostigado por la soledad y la muerte.

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